- 22nd
- May
- 2012
I am 16 years young. I live in south London. Fashion, beauty, sculpting and gaining knowledge are my hobbies.
DISCLAIMER: all images are copyrighted by their respective owners unless otherwise stated.
Nzinga (1582-1663) was the queen of Ndongo and Matamba, historical states in what is now Angola. This altogether remarkable woman seized the throne and held it for 40 years, successfully resisting Portuguese colonialism. She also created a crack army, waged war and fomented rebellion, played the European powers off against each other, kept male concubines, and, to cope with nagging doubts about her right to rule, declared herself “officially” a man. What a woman.
From a costuming standpoint, Nzinga is a fascinating figure: existing watercolors made from life (in the center of our illustration above) show her wearing a blend of African and European styles. Her crown, for example, she had especially made to match European models, but she also wore the leopard skins of Mbundu royalty. Her clothing was imported silk, which she had made up by her own dressmakers into ruffled skirts and cloaks. Her jewelry included pearls—a favorite with contemporary European monarchs—as well as African cowrie shells and beads. The pieces we suggest, from left to right:
1. Vintage ruffled silk skirt. These gorgeous 6-yard skirts are made from recycled sari silk. As such, they’re probably about as good a match as you’ll find for the kind of skirts Nzinga wore.
2. Red scallop-pattern sarong. In the watercolor images it looks like Nzinga is wearing a tie-around top. A sarong will work perfectly, and the pattern on this one evokes the rich look of early 17th century fabrics.
3. Leopard print scarf. This is a generous 72 x 28 inches, plenty long enough to knot around your waist as a sash.
4. Light orange chiffon evening wrap. Also available here. If you have a real silk shawl, you’re in luck. This polyester chiffon wrap is an inexpensive substitute.
5. Costume crown. The shape of this piece is a good match for the crown Nzinga had made for herself; just remove the red fabric. A real metal crown would be nicer, but they’re pricey. The best deal we’ve found isthis one for $55.
6. Jewelry from Firemountain Gems. Firemountain sells to everyone at wholesale prices, so it’s a great place to stock up on jewelry. Clockwise from top left in the composite image below: Red agate necklace(agate and glass with large red agate focal point, total length 33 inches). Multi-strand bead necklace (30 strands of glass and wooden beads, 20 inches long). Freshwater pearl necklace (real pearls, 58-inch continuous loop). Cowrie shell bracelet (we suggest wearing several). Set of carved wooden bracelets (eight bracelets in the package). Faux pearl earrings (2.7 inch drops).Illustration credits: Giovanni Antonio Cavazzi da Montecuccolo (1621–1678) was a Capuchin missionary who spent time at Nzinga’s court in the 1660s. His watercolor paintings of Nzinga and her courtiers are at the center of our main illustration. The large modern painting to the right is signed “Leo S,” but we have no other information about it. The small Nzinga portrait is from a book cover illustration by Laurie McGaw for African Princess: The Amazing Lives of Africa’s Royal Women.
WE LOVE THIS PIC:
Nzinga (1582-1663) was the queen of Ndongo and Matamba, historical states in what is now Angola. This altogether remarkable woman seized the throne and held it for 40 years, successfully resisting Portuguese colonialism. She also created a crack army, waged war and fomented rebellion, played the European powers off against each other, kept male concubines, and, to cope with nagging doubts about her right to rule, declared herself “officially” a man. What a woman.
From a costuming standpoint, Nzinga is a fascinating figure: existing watercolors made from life (in the center of our illustration above) show her wearing a blend of African and European styles. Her crown, for example, she had especially made to match European models, but she also wore the leopard skins of Mbundu royalty. Her clothing was imported silk, which she had made up by her own dressmakers into ruffled skirts and cloaks. Her jewelry included pearls—a favorite with contemporary European monarchs—as well as African cowrie shells and beads. The pieces we suggest, from left to right:
1. Vintage ruffled silk skirt. These gorgeous 6-yard skirts are made from recycled sari silk. As such, they’re probably about as good a match as you’ll find for the kind of skirts Nzinga wore.
2. Red scallop-pattern sarong. In the watercolor images it looks like Nzinga is wearing a tie-around top. A sarong will work perfectly, and the pattern on this one evokes the rich look of early 17th century fabrics.
3. Leopard print scarf. This is a generous 72 x 28 inches, plenty long enough to knot around your waist as a sash.
4. Light orange chiffon evening wrap. Also available here. If you have a real silk shawl, you’re in luck. This polyester chiffon wrap is an inexpensive substitute.
5. Costume crown. The shape of this piece is a good match for the crown Nzinga had made for herself; just remove the red fabric. A real metal crown would be nicer, but they’re pricey. The best deal we’ve found isthis one for $55.
6. Jewelry from Firemountain Gems. Firemountain sells to everyone at wholesale prices, so it’s a great place to stock up on jewelry. Clockwise from top left in the composite image below: Red agate necklace(agate and glass with large red agate focal point, total length 33 inches). Multi-strand bead necklace (30 strands of glass and wooden beads, 20 inches long). Freshwater pearl necklace (real pearls, 58-inch continuous loop). Cowrie shell bracelet (we suggest wearing several). Set of carved wooden bracelets (eight bracelets in the package). Faux pearl earrings (2.7 inch drops).Illustration credits: Giovanni Antonio Cavazzi da Montecuccolo (1621–1678) was a Capuchin missionary who spent time at Nzinga’s court in the 1660s. His watercolor paintings of Nzinga and her courtiers are at the center of our main illustration. The large modern painting to the right is signed “Leo S,” but we have no other information about it. The small Nzinga portrait is from a book cover illustration by Laurie McGaw for African Princess: The Amazing Lives of Africa’s Royal Women.
WE LOVE THIS PIC:
“Before our white brothers arrived to make us civilized men, we didn’t have any kind of prison. Because of this, we had no delinquents. Without a prison, there can be no delinquents. We had no locks nor keys and therefore among us there were no thieves.When someone was so poor that he couldn’t afford a horse, a tent or a blanket, he would, in that case, receive it all as a gift. We were too uncivilized to give great importance to private property. We didn’t know any kind of money and consequently, the value of a human being was not determined by his wealth. We had no written laws laid down, no lawyers, no politicians, therefore we were not able to cheat and swindle one another.We were really in bad shape before the white men arrived and I don’t know how to explain how we were able to manage without these fundamental things that (so they tell us) are so necessary for a civilized society.” — John (Fire) Lame Deer, Sioux Lakota, 1903-1976.
Historically depressing yet deeply inspirational.
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The giant golden-crowned flying fox (Acerodon jubatus), also known as the golden-capped fruit bat, is a rare megabat and one of the largest bats in the world. The species is endangered and is currently facing the possibility of extinction because of poaching and forest destruction. It is endemic to forests in the Philippines.
I can’t
omg, no kill them motherfuckers before they kills us, the fuck you mean you wanna save these over grown dangerous monsters, look at that shit, it ain’t cute
AMEN ^
the hell, i thought this was someone wrapped up in a trash bag. LMAO
The comments. I’m deceased.
lmfaoo what .-.
Go to Philippines. You don’t even know.
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You’re pretty for a dark skin girl…
What does that even mean? Does it mean the majority of dark skinned women are unappealing but I am the exception? If so, you can keep your backwards compliment and keep it moving. Growing up I had insecurities being a dark skin female. In the “western society” that we live in we have a very homogeneous concept of what is beautiful. Whiter, lighter and brighter is considered to be better. When you turn on the tv there is far more diversity now in comparison to when our grand parents were our age, but the “it girl” is slim, fair skinned with Caucasian features. Many of the popular ethnic celebrities undergo facial reconstruction surgery to slim down that broad “nigger nose” to look more “western”. Skin bleaching is very popular not only in the Caribbean, In Asia alone the skin bleaching industry is worth 18 billion dollars. Growing up as a child I never turned on the television and saw “popular girls” that resembled me. I can go on for days about this topic but I will specifically touch on skin tone.
I used to think that it was only the black community that had this light skin versus dark skin debate. After talking to my friend I realized this is an issue in the Asian community as well. People who still hold on to this way of thinking are modern day slaves in my opinion (but what do I know). If you look back into history darker slaves were the ones who did the physical labour out doors and the lighter slaves were doing work indoors and were called “house niggers”. We were all treated like shit but they had preferential treatment because of there skin tone and many of them were raped by their white masters resulting in “mulatto babies”. This way of thinking carries on today. A dark skin black man on my Twitter tweeted the other day “Even ugly light skin girls are better looking than most of these dark skin girls #justsaying”. Which really made me wonder are you judging a female by the complexion of her skin or her facial features and body shape. If the same pretty light skin female had dark skin would she still be pretty? If that dark skin female you would never talk to had light skin would she be pretty? At the end of the day it is racism against your own race. You are segregating a race based on skin tone. There is nothing wrong with having a preference because I too have a preference for dark skin males but I do not discriminate. Especially withthin my own race. When I look at a man I look at his smile, his teeth, his eyes, broad shoulders and strong hands. Not the “shade of black” he is. If you are the type of person to write off someone because they are too light or too dark I think you need to reflect on a deeper issue inside yourself.
At the end of the day I am a dark skinned woman and I am proud. When I have my children whether they be dark or light I will teach them to accept and embrace the different shades of black and the unique features that come along with their ethnicity. I love the diversity of my people. If you find my beauty to be rare because of my skin complexion keep it to yourself because I’m not interested in modern slaves.
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Promise Ring , Engagement Ring , Wedding Ring ♥
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Photos from Wednesday’s I AM Rally at UCI.
Thank you to all who participated. This is not the last time you’ll see us or hear us.
Take notice.All kinds of yes for dis!!!!!!!!!!!!!!!!!!!!!!!!!!!1
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I was having a bad day, and then I saw this haha, way too funny.
(Source: katetellitagain, via anitetasteinfashion)
This deserves a million notess <3
OMG!!!!!! This made my heart melt
This still warms my heart
SWAG THEM OUT !!!!!!!
Usually don’t reblog but I had to
how cute<3
lawd :’)
They’re so cute and talented! :o Gonna go kidnap them. Who’s with me? :3
AWWWWWWWWWW
(Source: samepersondifferentstories, via anitetasteinfashion)
EDDIEAMMZ.TUMBLR.COM
Follow me on twitter @EddieAmmz
Indian Head jewellery-matha patti
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Film: Kirikou and the Sorceress (Kirikou et la Sorcière) is a 1998 traditional animation feature film written and directed by Michel Ocelot. Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.
It is a co-production between companies in France, Belgium and Luxembourg and animated at Rija Films’ studio in Latvia and Studio Exist in Hungary. The voices and music recorded in Senegal.The original French voice acting was performed by a cast of West African actors and schoolchildren and recorded in Dakar. The English dubbing, also directed by Ocelot, was made in South Africa. Music by Senegalese singer; Youssou N’Dour.
(via blackgirlsrpretty2)